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- ADOBE AUDITION CS6 VOCAL EFFECTS FOR MAC
- ADOBE AUDITION CS6 VOCAL EFFECTS MAC OS X
- ADOBE AUDITION CS6 VOCAL EFFECTS UPGRADE
- ADOBE AUDITION CS6 VOCAL EFFECTS PRO
Monophonic and Polyphonic settings don’t change the pitch, they simply compress or expand time.Īs with other time-stretching technologies I’ve used, if you take this to an extreme-compress or stretch too much-the results won’t be pleasant unless you want the speaker to sound dangerously over-caffeinated or as if it’s attempting to shake off the effects of a rapidly consumed bottle of bourbon. Varispeed stretching also affects pitch-if you compress the clip, its pitch rises, if you lengthen it, the pitch falls-much as if you changed the speed on a tape recorder.
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There are three stretching modes: Monophonic is for a single sound (an instrument or spoken word track) Polyphonic is for multiple instruments and Varispeed is for when you want to change not only the clip’s length but also its speed. To use this feature, simply enable it, click on the Stretch triangle in the top right corner of the clip, and drag to the left to compress it in time, or drag to the right to stretch it. (A control surface isn’t required-you can just as easily use Audition’s on-board virtual mixer-but a control surface makes it easier to record multi-track automation in real time.) This feature worked as advertised.Ĭlip time-stretching has also returned. With such a device you can easily record changes to volume, pan, EQ, and effects as you mix, using standard read, write, latch, and touch automation settings.
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Working with control surfaces is enhanced by the program’s restored track parameter automation feature.
ADOBE AUDITION CS6 VOCAL EFFECTS PRO
I additionally connected Roland’s Sonar V-Studio 100 to my Mac Pro and it too was able to control Audition. I don’t have a pro surface, but I was able to control Audition via Saitara Software’s $8 AC-7 Core app, which uses the Mackie protocol. If you have a control surface that uses the Eucon, Mackie MCU, or Logic protocols, Audition should respond to it. Regarding the restored missing features, among the most important for audio pros is support for control surfaces (hardware mixing boards used to control audio applications).
ADOBE AUDITION CS6 VOCAL EFFECTS UPGRADE
You can upgrade from Audition 5.5 for $75 or from any version of Adobe Soundbooth for $149.
ADOBE AUDITION CS6 VOCAL EFFECTS MAC OS X
The latest version requires a multicore Intel processor and Mac OS X 10.6.8 or later. The combination of restored and brand new features makes for an even more capable Audition-an audio editor most at home in video, radio, and podcast studios. These and other features have returned with the CS6 version. That’s because in order for Adobe to build the version that shipped with CS5.5-which involved rewriting the application from the ground up-important features from the previous Windows-only version went missing.Īudition CS5.5 lacked support for control surfaces, time stretching, clip grouping, and Redbook CD burning, for example. For many Windows users, however, Audition CS6 is the “thank you for restoring that feature we liked so much in Audition 3” update.
ADOBE AUDITION CS6 VOCAL EFFECTS FOR MAC
For Mac users, CS6 greatly enhances what was a solid but not entirely feature-complete audio editing package. This history is important because of how Audition is perceived by Windows users versus Mac users. Windows users, however, have long had access to Audition (and to its predecessor, Cool Edit Pro, which was acquired by Adobe in 2003). Prior to that, Adobe offered Soundbooth, a less powerful audio editor. Adobe’s professional audio editing application, Audition, was first introduced to Mac users with Adobe Creative Suite 5.5.